May 31, 2018  Waldorf Blofeld Custom Patch: H121 'Rocket Science'. Programming in Visual Basic.Net How to Connect Access Database to VB.Net. Waldorf Blofeld 'Organica' 128 presets by Chronos.

I was seriously considering a Blofeld a while back for about a year. I have no first hand experience with the instrument, but I listened to every video over and over. It sounded quite beautiful and I was impressed by it. It also apparently has an excellent keybed. I have interest in only minimal digital synthesis - primarily pads - and it clearly does a fine job at these. So, the internal debate was between the Blofeld and an eight-voice Poly Evolver Keyboard as pad machines. In the end, I decided not to go with the Blofeld for the usual simple reasons: the shorter keyboard, the matrix control panel and menu diving, the somewhat poor encoder performance, claims that it has a low output level and is a bit hissy (which can be heard in some of the YouTube videos), as well as the expectation that Waldorf would be replacing the instrument before long.

The effect of researching the Blofeld was a renewed appreciation for the Poly Evolver: its longer keybed, superb interface, flawless parameter performance on the PE, excellent quality sound in recording, and a preference for the very digital wave shapes that the PEK offers. Your musical needs are probably quite different from mine. But for my interests, the Poly Evolver Keyboard was easily the better choice. It towers over the Blofeld. I'm of the camp that still believes it may be Dave Smith's masterpiece. I bought a white Blofeld keyboard (after selling off my black desktop) at a great price - thing is, the output stage is a bit anemic, so you may find that a decent mixer (and a drop of EQ) beefs things up quite substantially.

If you're a headphones guy, forget using the outputs on these (same thing applies to the Q kbd, FWIW). One of the things that strikes me about the Blofeld, even when compared to the Q, is that it's __clean__, which might put some people off as being clinical. The keybed is a four-octave Fatar TP/9S, with a decent feel, and the metal chassis continues to give a solid impression for longevity. As far as the built-in effects go–they're _ok_ but nothing stellar, and, as with other DSP-underpowered keyboards / modules, in some cases you might very well prefer the FX turned off (gaining you more polyphony).

Compared to the Q, or even the Evolvers, the wavetable options are more elaborate (and PPG-authentic), and the sampling option adds an interesting dimension when used as an oscillator or filter frequency modulator. All in all - the module on its own is a screaming deal, and (if you're lucky) you can find good used keyboard units floating around for low $/€/£, etc. I agree with the above poster on Blofeld. I've got a black Blofeld Keyboard, and even though I'd have liked it to be 5 octaves, 4 is just doing it for me. Had it been 3 octaves I would not have chosen the keyboard version. The feel is rather good, and I love the feel of it. If I have to put my finger on something physical, it's the two wheels.

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They are quite slim, and plastic, with small tabs for moving them. I would have liked them to be wider, and with a detend instead of that irritating tab, and also with a rubber coating.

Also, they sit ATOP the keys, not to the left, which may piss some people off. I don't mind though. About the output. Yes, it's substancially lower in output than most other pro gear, but don't let that fool you!

It can most certainly get 'up there' in signal level, the problem is, that the device does not have a parameter for setting the headroom really, and Waldorf must have set the volume most appropriate for multi timbral use, which by the way seems stupid because the Blofeld has so little DSP power, that using it in Multimode (to me) seems insane. I have some single-mode presets that can offer no more than 4 voices at a time! The Blofeld should have focused on being a single mono-timbral synth in my opinion.

With that said, the Blofeld has a VERY elaborate synthesis engine that gives you one hell of a bang for the buck! Without being semimodular, it has a signal path that makes it very easy to create wide stereo sounds, even without using the effects, simply because it has two filters. It gives many nice stereo opportunities. Also, if programed right, the filters and oscillators do sound VERY GOOD! Not 'tinny' as some claim.